Exploitation Nation

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Oct 13 2008

Not a Turkey at all

Published by andyc at 7:23 pm under Entertainment Edit This

Jive Turkey aka Baby Needs a New Pair of Shoes (1974) *** - I had never heard of this nifty little blaxsploitation oddity before but decided to give it a try since it was in the Mill Creek Drive In Classics 50 pack. I was immediately taken with it’s no budget charms. From the get go this is not quite like the other black action picture of the era, instead setting the action in 1956 Chicago (though the budget clearly doesn’t allow for any real vintage set pieces, clothing and only one or two cars). The plot deals with a numbers runner named Pasha who is being put under the gun by the Italian mob and the Mayor’s task force. Both of whom he had been in good graces with previously. Seems the main mobster he had grown up with, but is now being leaned on hard by the higher ups in the family, and the Cops whom he had always kept paid off anr ebeing leaned on hard by the Mayor who is up for re-election. To show that Pasha don’t take shit laying down he lets his main assassin, a six foot rather mainly dame (or is she? Suprises are in store), slit the throat of a mafia enforcer in a shocking moment. But Pasha makes it clear he is a gambling and numbers man, he don’t play in the narcotics business and that is what he is trying to keep out of his community. Seems the who neighborhood is in the numbers game and everyone loves Pasha. He’s a Father figure and a respected man who treats the neighborhood right. But when his people start getting killed, he pushes back. Highlights include the scene where the amazon assassin beats two hitmen to death with her high heeled shoe, and a scene where Pasha hides his car during a car chase in a waiting U-Haul van. But what makes this work is the very real sense of community and people. Yeah the feel out of place to the time period, but it very much feels like these are people who know and live with each other. Everyone on screen feels lik ethe real deal, from the little kids to the old barbers, this oozes legitimacy. The movie moves at its own pace, which is never very fast. Instead it sort of just lets you tag along with Pasha and his gang as they outsmart those trying to do them wrong, with some very graphic violent moments along the way. Some will slag the movie for its low budget, hell even a credit is mispelled on the front of the movie, but I think this is a unheralded little gem of the era. First time seeing this.

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